Bog Plants and Their Use in Medicine :: Research Biology Medicine Essays

Bog Plants and Their Use in Medicine Although most of the modern world does not often resort to bog plants for medicinal uses when there are more widely accessible forms of medicine to treat certain health needs, there exists numerous medicinal uses for bog plants. The various medicinal uses of different bog plants have developed and changed over the course of history. Bog plants were more commonly used by Native Indians as medicine such as the Ledum groenlandicum (Labrador tea) for sore throats and colds. The leaves of Gaultheria procumbens (Wintergreen), also processed into tea, treat aches and pains in native North American medicine. In the olden days, not long after the Native Indian civilizations, Wintergreen leaves were used in perfumery with woody notes. Other bog plants that are used as tea leaves include the Scutellaria lateriflora, which is tea for anxiety, nervous exhaustion and pre-menstrual tension, and the Valeriana officinalis, which promotes soothing sleep. During the Middle Ages, Potentilla palustris (Marsh Cinquefoil) were regarded as having healing properties for almost any ailment and were widely collected. The genus of the cinquefoil’s Potentilla from Latin meant â€Å"powerful† was derived from its reputation as powerful cure-alls. In particular, the Potentilla erecta (Tormentil) was used as an antibiotic and an astringent (causing tissues to contract). Another bog plant, the Cladonia species was classified as an effective medicinal herb in the Middle Ages, but is only used today as fabric dyes. Some bog plants such as the Osmunda regalis (Royal Fern) were used during the colonial times for treating coughs, but this practice is now obsolete. As one of the most widely known plants from bogs, the Vaccinium species or the Bog Cranberry is the most edible and digestible plant from the bog. It produces cranberries which are most effective in treating diseases or infections in the urinary systems for both genders. Si nce cranberries have a low spoilage factor and a high Vitamin C content, they were extensively by all generations in American heritage as a food source for long journeys in preventing scurvy. Throughout the course of history, there have been some extraordinary medicinal uses of bog plants by various ages and by various civilizations. The Lycopus europaeus (Gypsywort) was used both as a sedative drug and as a dye plant (black). It was once used by Gypsies to colour their skin, and hence the common name, Gypsywort.

Freedom of Speech and Expression - Little Freedom in a Complex World

Little Freedom of Expression Freedom of expression, like the air we breathe, is a luxury that most people in western civilization take for granted. I know I certainly took it for granted when I was in the twelfth grade, and that presumption almost got me expelled. In Cornwall, Ontario this last December the idea of freedom of speech did more than get a young man expelled. He was forced to spend the better part of a month, including Christmas, New Year's Eve, and his sixteenth birthday in jail. Finally there is the case of the former mayor of Mukingo in Ruhengeri Prefecture, Juvenal Kejelijeli, who is desperately fighting deportation to face charges for his "freedom of expression," which helped ignite genocide in Rwanda. Free speech and freedom of expression must be protected, but the speakers and writers must also take responsibility for their actions. During the twelfth grade my belief in freedom of expression was put to the test. When I was given an assignment to write a short story for my grade twelve creative writing class on any subject I wanted; I made the mistake of doing what I was told. It was, admittedly, a disturbing story, filled with vengeful death, anti-religious sentiment and gross sexual abuse written by a confused young man. However, none of the characters had any basis in reality, and none of the violence could be associated with any specific people or institutions. This was purely a work of fiction and it almost got me kicked out of private school in England. Not only was I afraid of the reaction I was going to get from my father, but it also shook the very foundations of my beliefs in free speech and freedom of expression. A work of fiction, regardless of the content, is still just a work of fiction ... ...ther number of oppressed countries. Therefore these freedoms must be utilized with a certain degree of caution and responsibility. Once we start censoring it becomes difficult to decide when and where to draw the line. When the responsible use of these freedoms comes into question, we as a society are called upon to decide what constitutes responsible freedom of expression, and what punishments are merited when the lines are crossed. If the judge and jury react too harshly, as in the case of the Avonmore student, they themselves become guilty of a crime far more severe than alleged threats seemingly found in a work of fiction. However had the story included names of current students, or had it been a call to other bullied students to carry out the grim plot, then punishment would be in order. In the mean time let's nourish creativity and be alert for cries for help.

Most prized possesion Essay

Out of all the material items I possess, I would have to call my first car my one true prized possession. Veronica, as I often refer to her is rusty black and has more than a few bruises. Pretty much a replica of the stereotypical teenager’s first car. Possessions like these often are seen as junk to the rest of the world, but in one person’s heart it remains an invaluable treasure. For myself, I was lucky enough to find that one hidden gem in a 1998 Ford Contour. In my eyes it will be forever priceless because it is not the exterior value of the car that matters, but the long road of experience it has carried me on. My car has taught me more than I expected in such a short time, but above all it has given me memories, a feeling of responsibility, and taught me that hard work pays off. As with most material items, certain memories tend to latch onto the object and are able to transport one back to a better time and place just by looking at it. Even though it is only a year old (at least in my possession), it seems as if it already carries a lifetime of memories. It treated me well through a timeless summer, the final summer before college becomes a true reality. Car rides filled with music pulsing, friends laughing, and road trips taken will never be forgotten. It has seen its share of sandy beaches and bright blues skies, as well as torrential downpours and yet has never failed me once. If I ever needed to get away from my sometimes chaotic and frustrating household, the car has allowed me to finally have some form of escape after eighteen long years. So this car has quite literally been with me through everything in this past year, and I will always remember it for the freedom it has granted me for the first time in my life. It even holds promises of even better memories in the future. I can almost guarantee things are going to get hectic at times and circumstances are going to change more than once, but through it all my car will remain the one constant. The tangible mass that is the car is enough to remind me of all I went through to finally get to this point in my life. This fact is what makes my car so special, because no price tag can be put on an unforgettable memory. The newfound responsibility that this car has given me also is what makes it  invaluable. Owning something monumental like a vehicle comes with a certain sense of pride and self-accomplishment, but that same feeling can be taken away in an instant if you do not act responsibly. The freedoms that come with a car unfortunately do not come without their restrictions. There are state laws, parking rules, and probably most important, the parental rules. If these limitations are not taken seriously, many young drivers will find that their feeling of independence is short lived, myself included. I have learned that a great deal of hard work and effort can all be a waste of time if you don’t remain responsible after you have reached your goal. One must become independent and own up to their actions, whether good or bad. This new characteristic of responsibility will carry on to all other aspects of my life and I can thank my experience as a car owner for that. Finally, my car has taught me a valuable lesson of dedication that I will never forget. Never before had I worked so hard to get something that I wanted. Without help from my parents to pay for a car, I spent months and months of job hours busing tables to pay for something I could call my own. Two thousand five hundred dollars later, for the first time in my life I have something that is 100% mine. This feeling of pride and ownership is something I truly value, a feeling I would have never experienced without the vehicle. This over year-long process of saving money and doing hard, manual labor has taught me a lesson that has always seemed abstract up to this point in my life. The car is now tangible proof to me that hard work eventually does pay off and has its rewards if you stay dedicated. It is this lesson that will always stick with my car and with myself and is what makes it one of my prized possessions. In all reality, I know I won’t have the same car for the rest of my life. Eventually I will move on to bigger and better things, as all people seem to do in this new world, and my car will become just another piece of junk on the side of the road. This doesn’t mean the memories and lessons the car has given me will become any less important. They will forever remain special in my mind and even though the car won’t be there to remind me of them, I will take these lessons with me wherever I go.

Frito Lay Company Essay

Let’s look at how the potato chip came to be. In 1853 the first potato chip was invented by a chef at the Saratoga Springs New York resort in 1853. It was created because one of the customers at the resort keep sending them back because they were too thick, soggy and had no taste to it. Crum then decided to fry them and sprinkled them with salt for taste. They were soon a regular item on the menu. Later, around the 1920’s they then moved from restaurants to being massed produced. Once they came up with a way to keep them fresh and from breaking up, they were able to put them into mass production 1920‘s. Frito Lay was created in 1938 by Herman Lay. Frito Lay is one of the leading potato chip companies in the United States for many years. They continue to post recording breaking numbers in all of their brands. One of their enduring brands is the Lays potato chips. These potato chips can be found in many different flavors. The currently are barbecue, sour cream and onion, ranch and many others. However, this industry is highly competitive and there are large manufactures that have many types of products and other snacks. Smaller companies have found a way to compete with the larger companies. These small companies have gained footing by introducing the new healthier chips that are now being sold in health food stores. A lot of concern about the Salt content is what enable smaller companies to compete. They focused on these healthier brands and have introduced a product that is totally opposite of the major brands. Lays has also added Dips to their brand. They currently consist of Ranch, French onion and etc. This was created because dip is consistently served with potato chips at events such as birthday parties, foot ball parties, luncheons and etc. Frito Lay Extended Enterprise Supply Chain Farm Manufacturer Warehouse/ Retailer Consumer Distributor When it comes to potato chips, the industries in the extended supply are few. The first industry is the farm where the potato chip comes from. They are currently located in cities like North Dakota, New England, Florida, Michigan, Texas and California and etc. They are also located in Central and South America, Brazil, Europe, in Leicester and Coventry England, Asia, Middle East & Africa and India. These farms have been picked for their potatoes that will be used in the making of the potato chip. Because a potato is something you can grow yourself, it is very easy to make potato chips. However, these potatoes are planted and treated with the utmost of care to produce a high quality product. The potatoes are grown and harvested and then they are shipped to a Frito-Lay plant. When they arrived the first thing they do is wash them. They are then peeled with the utmost care. Next they are then cut into slices and then rinsed again to remove particles produced from the cutting. They are then cooked in oils such as sunflower, canola and corn oil. These are very important because they are considered all-natural oils. They contain 0g trans fat and are considered lower in saturated fats. Once dried, they are then sprinkled with salt for taste. Because creating these potato chips is so simple they can be created in less than a day. Once they are packaged, they are then sent out to distributions centers worldwide. This is where the products are stored and then loaded on to trucks and then taken out to stores, gas stations, vending machines and etc. Frito lay currently markets to a wide variety of consumers. One consumer is high school teens and college age students. They have many different places where they consume the product. One of the ways in which they consume the product is in sports and entertainment areas such as movie theaters or sports stadiums. Another place it is being consumed is in the home. Frito Lay has focused on the snack side for many years. These are the type of people who would eat these snacks and did not care about their weight or being healthy. But recently, Frito Lay has changed to targeting more healthy consumers also. With the way the world is changing constantly, Frito-lay is always trying to keep up by targeting with the ever changing times. Because so many people are becoming health conscious, Frito-lay as also targeted this audience. They have come up with some products that allow the consumer to also focus on their health and physical appearance. In order for Frito-lay to stay competitive, it is apparent that they have to target this demographic also because in the recent years some of their snacks have been losing sales. Another of their target audience is the Hispanic market. Hispanic market are targeted because the chips can sometime be the meal or a side dish to the meal. Also this demographic is constantly growing in numbers and have become an important and influential part of society. Frito-Lay’s wholesale and distribution consumers are also a major business. They are the resellers such as retailers and wholesaler who buy Frito-Lay’s finished goods and resell them for a profit. Frito Lay also sells directly to large retailers and retail chains and through wholesalers to smaller retail units. Frito- Lays itself also targets big business customers of other companies. Lay’s identify prospective buyers, monitor current customers’ needs and levels of satisfactions, and personally attend to existing customers. Essentially, Frito lay’s target consumer consists of everyone. It consists of Frito-Lay constantly changing their product to keep up with the changing taste of the consumer. In getting the product to the consumer, Frito-Lay has experienced bottlenecks. This is usually seen with the individuals who deliver the product to the shelves. They are the individuals who places the product on the shelves for the consumer to buy. Obviously this is a very important part of getting the product to the consumer. Frito-lay found that the sales portions was hindering the driver getting the product to the stores on time. Therefore, they separated the two which helped tremendously. Conclusion: Frito-Lay’s new product development, advertising, and marketing efforts continues to help them to grow in the salty snack market. Frito-Lay’s measures economic activity which aids them in improving their organization. Their industrial production and manufacturing production had made them the leading snack food organization in the world. Frito-Lay continues to try and have an enormous amount of knowledge at its fingertips. It continues to ascertain seasonal local demand of each of its products and exactly how much inventory each store has at any time. By keeping track of this information, it helps to better plan seasonal and local promotions. By knowing specific inventory at each store, Frito-Lay could better plan and improve its routing and inventory systems. References: Çetinkaya, S., ÃÅ"ster, H., Easwaran, G., & Keskin, B. (2009). An Integrated Outbound Logistics Model for Frito-Lay: Coordinating Aggregate-Level Production and Distribution Decisions. Interfaces, 39(5), 460-475. Feld, C. S. (1990). Directed decentralization: the Frito Lay story. Financial Executive, 6(6), 22-25. â€Å"Frito-Lay History†. Frito-Lay North America, Inc.. Retrieved 4 January 2013 @ www.fritolay.com Jacobson, G. (1989). How Frito-Lay Stays in the Chips. Management Review, 78(12), 11.

How to Write Radio Drama Essay

Here are some horrible truths: Most radio drama is very badly written. Radio drama is an endangered species. It has never taken a hold of mainstream programming on commercial radio in the UK. It used to be the mainstream in the States and Australia but lost out to TV in the middle to late fifties. It is under threat within public radio services including the BBC because of the pressure of monetarist ideology and the fact that authors and radio drama directors have been too complacent. IRDP is a significant oasis and continues to support the principle of the original play. Ground rules The Beginning The beginning is everything. If this part of it does not work you are ‘up shit creek without a paddle’. Your listeners will desert you. You have failed. You do not exist as a dramatist. Booo! The Moment of Arrival This is how you drop your listeners into the story. Don’t give them a warm bed with comfortable pillows and a hot water bottle. The background and sub-text of previous histories is better explored through revelation in dramatic action. So parachute your listener into a top dramatic moment. Not the climax. That would be premature. Find the MOMENT to join the story. Avoid the slow snail’s explicatory route. Kick ’em into a high energy trip and whoosh them through the rapids. Structure Set up†¦struggle†¦resolution. You can reverse this if the set-up is more dramatic and explosive than the resolution. Regard your play as a series of phases The Plot This is the story with lots of twists and turns. The more the merrier. Most listeners like good exciting plots. Without a good plot you’re eating a souffle that has gone flat. You need plot, more plot and more plot. Run at least two story lines. Two sub plots would be interesting. Keep the plots linked logically within the same play. The best system is a major and a  minor storyline linked to one another. Get them to come together at the end. Surprise People are hungry for entertainment. If they wanted boredom they would be filling out their tax returns instead of listening to your radio play. Make people afraid, but also excited. Character Your main character must have the sympathy of the audience. Your audience has to identify with your main character. If this does not happen you have created a failure. Booo! Conflict Drama = conflict = audience. There has to be an emotional, financial, human, moral, physical struggle so your listeners can laugh or cry. Yes, you want your listeners to laugh or cry or laugh and cry. If you don’t, give up. Polarities or Extremes The art of story telling is exploring the extreme limits of our psychological or physical existence. To pitch one polarity against another. The Climax I apologize for the sexual metaphor. But there is something in this. The better sex has foreplay, development, sustained excitement, surprise and affection, nay love followed by an explosion of ecstasy. Good radio drama is not all that different. If you don’t use it, you lose it. Dialogue This is how we engage dramatically with the world. Characters inform, argue, amuse, outrage, argue through the ebb and flow of dialogue. When we do we talk and that is how great radio plays are made†¦..by talking in dramatic dialogue. Atmosphere / Ambience This sets the emotional spirit of the play. It determines whether your  listeners believe in the world that you have created. Worlds are not created by dramatic dialogue alone. There is attitude and atmosphere. This is determined by detail and relevant detail. It could be in a sound effect. It could be in the writing. It could be in the music. It could be in everything. But the result is that the fifth dimension of radio writing – the imagination of the listener – is stimulated to become a picture palace of the mind. Emotion Got to be there. You have to generate an emotional response from the audience†¦.preferably to the main character†¦.also not so strongly in relation to the other characters. Emotion = love, hate, admiration. Never mind about the type of emotion†¦..concentrate on whether it is there or not. Emotional connection between the writing and the listener = good radio drama. Balance Character and Plot You have to have both. You cannot trade. One can predominate over the other. Where they are balanced equally†¦.it can only work if characterisation relates to plot development. If your main plot is character intensive, make sure that your minor plot is plot intensive. Purpose Crook’s golden rule is that every word, every line, every scene must serve a dramatic purpose in terms of characterisation and plot development. Drop anything that does not have a dramatic purpose. Tension and Humour To stop the listener dropping off or switching off, maintain the tension always and throw in the humour. Tension, humour, tension, humour, tension humour†¦like the foxtrot..Make the emotional rhythm of the play dance on the listener’s heart and mind. Charm and alarm, charm and alarm. But they’ve got to be linked. Your character uses humour to react to the tension in the scene or play. Keep one character who uses humour to deal with difficult situations. Make sure the humour is verbal. Slapstick belongs to a different  type of play or entertainment. Make sure you do not have characters taking it in turns to be funny. This is not stand up comedy or sitcom. Make sure that the character who uses humour has a consistent sense of humour. Get your listener inside the world of your play. How? a. Sympathy or empathy with the main character. b. A bloody good set up. c. A big, nasty antagonist or villain. d. Great Plot†¦Great Story†¦.twists and turns. e. Crisis at the beginning is dramatic and a great start. f. Emotional intensity. Hit some high points. g. Escalating conflict so the structure climbs with tension and humour. h. Strike the colours with detail so there’s an atmosphere, mood†¦ambience. I. Modulate charm with alarm†¦humour with tension†¦tension with humour†¦funny policeman nasty policeman. j. Surprise, surprise†¦that’s what you do to the listener, through the plot. The principle of developing scenes 1.Introduction. 2.Character one†¦goal and objective. 3.Character two†¦goal and objective. 4.Purpose of scene in overall plot. 5.One of the characters achieves a goal. 6.Link to the next scene by introducing or pointing to location of next scene or presence of character in next scene. Question marks in the mind of the listener. Always keep one, better two or three The Principle of Character 1.Believable and recognisable. 2.Purpose within the plot. 3.Characters have to have function. Character has to be consistent with function. 4.Characters have to be intentional. 5.Start with a stereotype to ensure rapid recognition, then twist the stereotype. Challenge the homily that there is nothing new under the sun by making it new under the moon. 6.Give each character a dominant physical or behavioural characteristic. Make the dominant characteristic purposeful. Make it extreme. 7.Your main character must be active. 8.Active character / urgent plot. The character’s energy has to fight the urgency of the plot and the urgency of the plot makes the character more energetic. The principle of Hero / Heroine 1.Listeners look up to main characters, want to admire them because we all want heroes and heroines in our lives. Life’s eternal fantasy that transcendent people and transcendent moments conquer adversity. 2.If you are very clever you can transfer the hero from the obvious to the humble and make great the inferior or character who has greater potential for human dignity. 3.Charisma. Characters need intensity and conviction. They may not be perfect but they are attractive. You cannot identify with people who are unlike ourselves†¦too perfect, no beliefs†¦take themselves too seriously†¦lack a sense of humour.. 4.Give your characters private moments when they drop their guards and allow us into their minds and hearts. Make the listener privileged. Use this moment for revelation. 5.The main character has to change and has to be changed by the plot. 6.You must have a main character and secondary characters. Your main character changes. Your secondary characters are probably more singular in their characteristics. Your secondary characters are already committed. Your main character is still weighing up the options. 7.You must have characters who are extreme in relation to each other†¦characters that are different make drama. Where are we now? Well, we should be here†¦. a. The main character is in the middle of the story. b. You’ve used dominant characteristics. c. The listener likes the main character. d. The listener cares what happens to the main character. e. The listener hates the antagonist. f. The main character is developing. Principles of Dialogue a. Dialogue must be a response to a situation, plot or action. b. Dialogue must be a response to each character in the scene. c. Dialogue must be comic relief. d. Dialogue must connect to the next scene. e. Avoid reflective, passive and neutral. Go for active, and direct and emotional. f. Dialogue must be believable by being specific†¦by being specific to the character’s background and emotional state. g. If dialogue is reacting to action or situation then it must be dramatic and poised on polarities. The goals of the characters in each scene should be different. h. Dialogue should be continuous. Tip†¦characters often take a tag by repeating the last word spoken by the first character. i. Dialogue must relate to function. j. You can mix direct with indirect between two characters because they have different goals. k. Humorous dialogue is not a character telling a joke but a line or lines responding to the dramatic situation. l. Heightened dialogue vs naturalistic dialogue. Heightened language is the language of the theatre†¦high octane communication†¦poetic, philosophical†¦charged..the expression of the playwright†¦It serves not only the development of the plot and character, but it also presents the view of the writer. Works well in radio. But there is now a tendency for more naturalism. Radio producers like to go out on location and explore realism. In these situations you must stick to natural dialogue. Principles peculiar to Radio 1.The inner existence. 2.The tension and conflict between the interior and exterior. 3.More psychological. 4.Easier to explore the real and the surreal and to delineate the line between the two. 5.Have to work in the fifth dimension†¦the energy of the listener’s imaginative participation. 6.The interior existence offers exploration of personal thoughts, fantasies, emotions and conflicts. 7.All  levels of external conflict can be explored. 8.The precipitating event through plot has to threaten the inner life of the main character. This is the kick-off in radio drama. 9.The end or resolution in radio drama is more deeply rooted in the emotional equilibrium and insight of the main character. Changes are internal as well as external. 10.Time transposition and translocation are faster and more rapid and more complicated. Flashbacks†¦flashforwards†¦ different ages. 11.Radio requires less rather than more characters. Characterisation needs to be strong and fascinating. 12.Maintain the focus of the main character and plot. 13.Economy of words underlines subtextual surprise and engagement with the listener’s imagination. 14.Wit is vital because language is so important†¦cleverness with words†¦energy with words..humour with words†¦Wit is advanced by surprising the listener†¦being aggressive with the listener..being fast, short and clever with the listener. 15.Irony is pathos and bathos. It’s conflict between the inner life and outer action. Other radio drama producers in the world Norway: NRK kulturkanalen, P2 RODD- 0340, Oslo, Norway. Swedish Radio, SR S-105 10 Stockholm, Sweden. YLE Finnish Broadcasting Company Radio, PO Box 79 FIN-00024 Yleisrdio, Finland. HR, Hessischer Rundfunk Bertramstrasse 8, 60320 Frankfurt am Main, Germany. DR Danmarks Radio, Radio Drama Department, Ewaldsgade 3-9, DK 2200, Copenhagen N Denmark. ABC Australia, ABC Ultimo Centre, Level 5, 700 Harris Street, Ultimo NSW 2007. CBC-SRC, Radio Drama Department, Box 500, Station A, Toronto, Ontario, Canada MSW 1E6 SDR Suddeutscher Rundfunk, Neckarstrasse 230, 70190, Stuttgart, Germany. Radio Television Hong Kong, Broadcasting House, m 30 Broadcast Drive, Kowloon, Hong Kong, China. Other radio drama producers, SABC, South Africa, Los Angeles Theatre Works, LA, California, Public Radio, New Zealand.

Outline (for public space) Assignment Example | Topics and Well Written Essays - 250 words

Outline (for public space) - Assignment Example Properly lit pathways and proper security system can reduce the problem of sexual harassment which is the core of all problems for women outdoors. According to a survey conducted by the United Nations in New Delhi, after every 29 minutes a rape case is reported ( UN, 2010). Hypothesis: If these unattended security issues persist in the public space for Indian women, how does Indian government expect the better half of its nation to behave after this ignorance in an appropriate manner? Are the fundamental rights been given to both genders in the state? If yes, why does the survey show that half of the population is threatened by the pathways, especially in the evening? The amendments need to be taken for this ignorance, as it encourages the outlaws to take advantage and feel comfortable to do what they desire with the public around. The awareness of civic rights by the Unifem department seems like a potential step towards betterment in New Delhi (Unifem). According to The New York Times (Asia Pacific), 489 rape cases were reported and countless unreported cases of street harassment (Ninaljana, 2011). Thesis statement: Unavailability of basic facilities like lights, buses, security guards and maintenance of pathways is the arising problem which can later lead to major dilemmas for the country to deal with. It mainly consisted of the public survey conducted by Women and Child development department, as these problems can only be defined well by people who face them on daily basis. The women in New Delhi, both working and students, participated in the surveys which lead to a better understanding of the problem. Global Safe Cities Free of Violence for Women and Girls â€Å"SNAPSHOT† of the CITIES. (chap. New Delhi) Retrieved 1. 25, 2012, from

Diabetes Term Paper Example | Topics and Well Written Essays - 1000 words

Diabetes - Term Paper Example Diabetes results from the body not being able to produce enough glucose or the inability of the body to use the insulin efficiently. Insulin transfers glucose from blood into the cells for use hence when the glucose level increase in the blood diabetes sets in (Stehouwer & Schaper, 2009). The beta cells of pancreas that is an organ located just below the stomach work to produce insulin hormone. There are two types of diabetes. Type 1 diabetes results from failure of the pancreas to produce enough insulin into the blood stream. Type 1 diabetes can either result from the pancreas producing less insulin or the insulin from the pancreas being ineffective. This results in accumulation of the glucose in blood. Starvation of the body cells off energy causes diabetes type 2. Normal glucose levels vary with time before eating (fasting levels), random levels, and tolerance test levels of glucose. Blood glucose level during fasting range from 80-90mg/dl, random blood sugar levels range between 80-139mg/dl while the glucose tolerance levels also range between 80-139mg/dl hence blood sugar increases because of the glucose being out of the ranges (Stehouwer & Schaper, 2009). Type 1 diabetes is more of a genetic condition while type 2 is due to lack of physical activity and obesity among other life style living. The clinical manifestations of diabetes vary depending on the type of diabetes. However, they exhibit some common signs and symptoms, for example excessive thirst, frequent urination, extreme hunger, increased fatigue, and unusual weight loss. Classification can also be according to the level of diabetes in that in the cause of hypoglycemia, which is low glucose level in the blood the clinical manifestations include: shaking, sweating, dizziness, anxious, fast heart rate, hunger, weakness, impaired vision, fatigue, and headaches. In the case of hyperglycemia which is the increase of glucose level in the blood due to lack of its transfer in to the